Mornings in Florence

Mornings in Florence
by John Ruskin
First published 1875 · 171 pages · about 3 hours to read
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About this book
Volume containing the printed title page, preface, and table of contents to "The shephard's tower," being the photographic illustrations to part IV of Ruskin's "Mornings in Florence"; "End of sixth morning," AMs 1 p.; "The Baptistry of Florence," AMs 5 p.; "The Spanish Chapel," AMs 2 p. memoranda; "The visible church," printed proofs 11 p.; and a signed autograph letter from R. Caird, with notes on St. Jerome, St. Thomas Aquinas, and the symbolism of the Cross, dated 1881.
Quotes
“One of quite the first results of Giotto's simply looking at things as they were, was his finding out that a red thing was red, and a brown thing brown, and a white thing white--all over.”
“Now, fine drapery, really well drawn, as it hangs from a clothes-peg, is always rather impressive, especially if it be disposed in large breadths and deep folds; but that is the only grace of their figures.”
“It is a characteristic--(as far as I know, quite a universal one)--of the greatest masters, that they never expect you to look at them; seem always rather surprised if you want to; and not overpleased.”
“I have no time to tell you why this is so; nor do I know why, altogether; but so it is.”
“So that my general directions to all young people going to Florence or Rome would be very short: "Know your first volume of Vasari, and your two first books of Livy; look about you, and don't talk, nor listen to talking."”
Passages chosen with AI from the book's public-domain text on Project Gutenberg.
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